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Tampilkan postingan dengan label Punk Rock. Tampilkan semua postingan

My Chemical Romance


With their emo-punk songcraft, theatrical vocals, and stylized neo-goth appearance, My Chemical Romance rose from the East Coast underground to the forefront of modern rock talent during the mid-2000s. In keeping with the tragic element of the group's best-known singles -- including "Helena,", "I'm Not OK (I Promise)," "Famous Last Words," and "Welcome to the Black Parade" -- My Chemical Romance has roots in catastrophe, as frontman Gerard Way decided to form the band after watching New York's Twin Towers collapse on September 11th, 2001. Drummer Matt Pelissier joined the project one week later, while Way dealt with his growing anxiety by penning the group's first song,"Skylines and Turnstiles". Guitarist Ray Toro climbed aboard soon after, and the quintet's ranks solidified with the addition of bassist Mikey Way (Gerard's younger brother) and guitarist Frank Iero. With their lineup in place, the bandmates began playing shows along the Northeast Corridor and made plans to start work on an album.

My Chemical Romance's debut effort, I Brought You My Bullets, You Brought Me Your Love, appeared in 2002 courtesy of New York's Eyeball Records. Comparisons to Thursday were frequent; both bands hailed from New Jersey, both had recorded for Eyeball, and both combined punk-pop's musical aggression with introspective, confessional lyrics. The album attracted a modest underground following, and My Chemical Romance jumped to the big leagues in 2003 by signing with Reprise Records. The following year, they released the aggressively slick Three Cheers for Sweet Revenge, a platinum-selling album that featured cover art by Way himself. Proving to be hugely popular, the album produced several radio singles and popular MTV videos, including "I'm Not Okay (I Promise)," "Helena," and "The Ghost of You."

Amid this growing popularity, Pelissier departed in mid-2004 and was replaced by drummer Bob Bryar, who had previously met the band while running sound for the Used (with whom the band had toured several years prior). Relentless touring followed, with My Chemical Romance headlining dates with Alkaline Trio, scoring an opening slot on Green Day's American Idiot tour, and sharing bills with Story of the Year and Taking Back Sunday. As My Chemical Romance prepared to enter the studio for their third album, they issued a stop-gap recording, Life on the Murder Scene, in March 2006. The CD/double-DVD package offered an extensive combination of demos, music videos, live footage, interviews, and more; it sufficiently tied fans over until My Chemical Romance (now boasting a sober and bleach-haired Gerard Way) issued the darkly conceptual and highly ambitious The Black Parade that October. Anticipation for the album reached its apex upon the release of its grandiose first single, "Welcome to the Black Parade," whose elaborate music video looked and sounded like the result of Tim Burton directing Queen. The record acheived platinum status by early 2007 and was followed by a live recording, Black Parade Is Dead!, in 2008.

Slipknot



There are nine members of slipknot ranging from 0-8.

Sid Wilson is number zero and he runs the turntables.

Joey Jordison is number one and he is their drummer. He was born on April 26, 1975. He got his first drum set in fifth grade. He was the one that created the Slipknot S logo. He was orgianlly the guitarist for his previous band ,called the Murderdolls, and he was in a band named Anal Blast. He was the one that thought of refering to their fans as 'maggots'.

Paul Gray is number two and he plays the bass guitar.He is a co-founder of Slipknot. Paul is half black.

Chris Fehn is number three and he is their custom percussionist. He was born on February 24, 1974. He is considered to be the comedian of the group. He was in the band Shed before he was recruited into Slipknot. He also does alot of the backup vocals. His nose is 7 inches long.

Jim Root is number four and he is their guitarist. He was born on October 2, 1971. He used to be a very timid guy until he became a part of Slipknot. He was in the newly revived band Stone Sour, along with the bands Dead Front and Atomic Opera. Most people refer to him as James.

Craig Jones is number five and he does their samples and media stuff. He was born in 1972 and his nickname is 133 MHz. He was orginally their guitarist, but later switched to samples and media. The clip 'the whole thing i think is sick' was cut from a documentary on Charles Manson. 'here comes the pain' comes from a movie staring Al Pacino called, 'Carlito's Way'

Shawn Crahan is number six and he is another custom percussionist. He was born on September 24, 1969. He is the co-founder of Slipknot. He is an Executive producer for both Mudvayne and 40 Below Summer. He was the one that originally thought of using masks to make them stand out. He is the oldest member of the group and he does some backup vocals.

Mick Thomson is number seven and he is a guitarist. He was born on November 3, 1973. He is fascinated by serial killers and he is shorter than most of the band.

Corey Taylor is number eight and he mainly does their vocals. He was born on December 8, 1973. His nickname is 'Faith' and he used to work in a porn shop. His porn shop was where he was recruited for Slipknot. He has at least one baby. His baby's name is Griffin Parker Taylor who is nicknamed 'Itty Bitty Mouth'. The Dreadlocks on Corey's Mask are made from his real hair.

S.I.C. is an acronym for 'said in content'

One day Shawn Crahan and Anders Colsefini (who would later do Slipknot's vocals for a short time) were good friends and were just hangin' out when they got the great idea of creating a band. Crahan called Paul Gray first off, who called Joey Jordison from Paul's previous group, Anal Blast. Then they called in Donnie Steele from the band Cody's Pit and Josh Brainard from Modifidious.

Corey Taylor is pegged as the crazy guy on stage but in actuality, he is a calm sensible guy. The true wild one is Shawn Crahan. He loves to get into fights, be wild on stage, and bang his head on walls. Mick Thomson was a guitar teacher before he joined Slipknot. Craig Jones wrote the first song to their second album in under an hour. Chris Fehn is the one on their second album that threw up on the Ghost track. Joey Jordison is the shortest member of Slipknot.

The nine-member hard-core metal outfit Slipknot formed in the self-proclaimed 'middle of nowhere'-- Des Moines, Iowa -- in 1995. Asserting that they are 'not about our names or our faces,'members DJ Sid Wilson, drummer Joey Jordison, bassist Paul Gray, percussionist Chris Fehn, guitarist Jim Root, sampler Craig Jones, percussionist Shawn Crahan, guitarist Mic Thompson and vocalist Corey Taylor have taken numbers 0-8 as stage names and don bizarre homemade masks for shows, photos shoots, and interviews.
Slipknot self-released a CD in 1996, Mate, Feed, Kill, Repeat, before signing with Ross Robinson's I Am Records, an imprint of Roadrunner. Their label debut, Slipknot, was released in 1999 with their latest, Iowa, following two years later.
Slipknot is a nu-metal band featuring nine members which makes them quite a unique band with 3 percussionists, 2 guitarists, 1 bassist, a DJ, a sampler and a lead singer. Trying to distinguish themselves more they have named themselves by using the numbers 0-8 and have been using bright costumes and masks on stage. The band formed in 1995 and was originally called Meld before changing their name in Spring / Summer of 1996. In 1999 they released their self-titled debut album which made them rather famous right away.

The well known 'slipknot barcode' is the barcode from their first album 'mate,feed,kill,repeat' and the numerical sequence from that barcode is the same as the title to the 1st track on their self titled cd.

In May 2004, Slipknot released their 3rd commercial album with the daring Vol.3 (The Subliminal Verses). This has brought them under scrutiny from some of their more shallow fans, who say they have abandoned metal and gone softy, due to the fact that there are a couple of acoustic ballads on this album. Corey Taylor has said this is Slipknot's last album before calling it quits, saying 'Tell me how I'm supposed to be excited about a band that's eating itself.' They will be on the second stage at Ozzfest 2004.

Linkin Park


The band saw its and first beginings in emcee/vocalist Mike Shinoda's small bedroom studio, where he and Brad Delson recorded the band's first material in 1996. The two had attended high school together, where they met the band's drummer, Rob Bourdon. Shinoda hooked up with DJ Joseph Hahn while studying illustration at Art Center College in Pasadena. Meanwhile, attending UCLA, Delson shared an apartment with bassist Phoenix, who left the band after college and returned a year later. At this point, they named themselves Xero and recorded several demo tracks. They never got signed, and the project floundered. Then Shinoda decided to hire a vocalist, and put out an ad. They got Chester Bennington, a transplanted Arizona native who started making records when he was 16. 'When I was two, I used to run around singing Foreigner songs - there's tapes of me doing that... since I learned how to talk I've been telling everybody I was gonna grow up to be a singer.' laughs Bennington.

The band called itself Hybrid Theory after the addition of Bennington (the idea being that they were a hybrid of rock and rap), however, due to a trademark issue with a band called Hybrid, they were forced to change their name. Some discarded ideas (serious or not) were Clear (the band's favorite), Probing Lagers (which they thought was the lamest), Ten PM Stocker (because they would record every night at 10 pm at a place on Stocker Street) and Platinum Lotus Foundation. Eventually, they settled on Lincoln Park, suggested by Bennington because after band practice he would have to drive past there to get home. However the domain 'lincolnpark.com' cost more than the band could afford, so they changed the spelling to Linkin Park. However, it has also been suggested that the name 'Linkin Park' was suggested so that the band would appear right next to Limp Bizkit at record stores.

Working with an independent label, the band recorded the album Hybrid Theory EP, which featured 'Carousel', 'Technique', 'Step Up', 'And One', 'High Voltage', 'Part of Me'.

After being signed to Warner Brothers in 1999 their first album, Hybrid Theory, was released in 2000. It was the top-selling album in the United States and New Zealand in 2001, with the hit singles 'One Step Closer', 'Crawling', 'Papercut', 'In The End' and 'Points of Authority'. The album is notable for its absence of profanity, in contrast to many other nu metal bands' songs.

Linkin Park were part of the Ozzfest in 2001, touring along side Marilyn Manson, Slipknot, Crazy Town, Papa Roach, and Disturbed. Linkin Park have also created their own tour - Projekt: Revolution, and on it have toured with Cypress Hill, Adema, DJ Z-Trip, Xzibit, Mudvayne and Blindside.

In 2002, they released a remix album of their Hybrid Theory album, called Reanimation, as well as releasing a remix version of their song, 'Points Of Authority'.

In 2003 their new studio album was released, titled Meteora, which debuted at #1 in the US and UK, and #2 in Australia. It contained the singles, 'Somewhere I Belong', 'Faint', 'Numb', 'From The Inside' and 'Breaking The Habit'. Later in the year, they joined forces with fellow nu-metal band Limp Bizkit and Metallica for the Summer Sanitarium Tour 2003. From this tour, Linkin Park released a new CD/DVD set called Live in Texas. This set contains tracks from their three previous records, and was filmed on location at their Summer Sanitarium performances in Dallas and Houston, Texas .

In 2004, Linkin Park created the Meteora World Tour. This tour included Linkin Park, P.O.D., Hoobastank, and Story of the Year.

In 2004, Linkin Park was touring with Snoop Dogg, The Used, Korn, and Less Than Jake on the main stage, and No Warning, Ghostface, Funeral For A Friend, M.O.P., and Downset on the second stage as part of Projekt Revolution 2004. They also had a travelling DJ, Z-Trip with them, along with Irvin the Urban Action Figure.

On November 30, 2004, Linkin Park released Collision Course, a collaboration with rapper Jay-Z featuring rap-style remixes ('mash-ups') of songs from Meteora and Hybrid Theory using lyrics from Jay-Z's repertoire. Collision Course debuted at #1 in the US, but only got to # 17 in the UK. In Holland Collision Course made it to a 7th place. Their first Collision Course hit single 'Numb/Encore' reached #1 at the Free Record Shop Download Charts in Holland.

Members

* Chester Bennington (vocals)
* Mike Shinoda (vocals/sampling/guitar/keyboard)
* Joe Hahn (turntables, samples)
* Brad Delson guitar
* Rob Bourdon drums
* Dave 'Phoenix' Farrell bass

Rush Band

One of the most misunderstood bands in rock, Rush are still associated largely with the screechy vocals and excessive concept-rock of their early days. In fact, the Canadian trio began outgrowing that approach after their first half-dozen albums, and have slowly progressed to a song-based format that combines dazzling playing with an ever-increasing grasp of melody and nuance. Instead of clinging to their musical adolescence, Rush is one of the very few '70s bands who've gotten consistently better over the years.

This isn't to say that Rush's early albums weren't period pieces at best. On its 1973 debut Rush was a truly unspectacular Led Zeppelin soundalike; the weighty, mythological lyrics provided by drummer Neil Peart (who joined for the second album, Fly By Night, in Rush's only personnel change) didn't help. The Zeppelinesque approach reached its peak on 1976's 2112, a concept album beloved by deep-thinking high-schoolers everywhere. But Rush were one of the few old-guard bands who took a hint from new wave and sounded better for it; their 1979 album Permanent Waves showed the Police's influence, and the following year's Moving Pictures--which included the hit "Tom Sawyer"--showed a willingness to strip things down, for Peart to write on a more down-to-earth level, and for Geddy Lee to stop screeching and start singing. Tellingly, they'd never record another song longer than six minutes.

It's been uphill from there, and Rush can now call itself a thinker's hard-rock band without embarrassment. The songwriting took a quantum leap on 1984's Grace Under Pressure, which introduced electronics to their formerly guitar-based sound; its lead-off track, "Distant Early Warning," showed they'd gotten familiar with depth and subtlety. By the time of 1989's Presto, they'd taken on a textured pop sound in the same general territory as Adrian Belew's work outside King Crimson. They've stayed there ever since, with Peart's lyrics expressing a convincingly humanist point of view (especially after the tragic deaths of his wife and daughter, which led to a six-year recording hiatus between 1996's Test For Echo and 2002's Vapor Trails), and Lee's vocals having a regular-guy appeal that would have been unthinkable in the old days. And by the way, guitarist Alex Lifeson is a powerhouse.

Sex Pistols Band


This incandescent UK punk band came together under the aegis of entrepreneur Malcolm McLaren during the summer of 1975. Periodically known as the Swankers, with lead vocalist Wally Nightingale, they soon metamorphosed into the Sex Pistols with a line-up comprising: Steve Jones (b. Stephen Phillip Jones, 3 September 1955, Shepherd's Bush, London, England; guitar), Paul Cook (b. 20 July 1956, London, England; drums), Glen Matlock (b. 27 August 1956, Paddington, London, England; bass) and Johnny Rotten (b. John Joseph Lydon, 31 January 1956, London, England; vocals). By 1976 the band was playing irregularly around London and boasted a small following of teenagers, whose spiked hair, torn clothes and safety pins echoed the new fashion that McLaren was transforming into commodity. The group's gigs became synonymous with violence, which reached a peak during the 100 Club's Punk Rock Festival when a girl was blinded in a glass-smashing incident involving the group's most fearful follower, Sid Vicious (b. John Ritchie, 10 May 1957, London, England, d. 2 February 1979, New York City, New York, USA). The adverse publicity did not prevent the group from signing to EMI Records later that year when they also released their first single, "Anarchy In The UK". From Rotten's sneering laugh at the opening of the song to the final seconds of feedback, it was a riveting debut.

The Pistols promoted the work on London Weekend Television's Today programme with Bill Grundy, which ended in a stream of four-letter abuse that brought the group banner headlines in the following morning's tabloid press. More controversy ensued when the group's "Anarchy" tour was decimated and the single suffered distribution problems and bans from shops. Eventually, it peaked at number 38 in the UK charts. Soon afterwards, the group was dropped from EMI in a blaze of publicity. By February 1977, Matlock was replaced by punk caricature Sid Vicious. The following month, the group was signed to A&M Records outside the gates of Buckingham Palace. One week later, A&M cancelled the contract, with McLaren picking up another parting cheque of £40,000. After reluctantly signing to the small label Virgin Records, the group issued "God Save The Queen". The single tore into the heart of British nationalism at a time when the populace was celebrating the Queen's Jubilee. Despite a daytime radio ban the single rose to number 1 in the New Musical Express chart (number 2 in the "official" charts, though some commentators detected skulduggery at play to prevent it from reaching the top spot). The Pistols suffered for their art as outraged royalists attacked them whenever they appeared on the streets. A third single, the melodic "Pretty Vacant" (largely the work of the departed Matlock) proved their most accessible single to date and restored them to the Top 10. By the winter the group hit again with "Holidays In The Sun" and issued their controversially titled album Never Mind The Bollocks - Here's The Sex Pistols. The work rocketed to number 1 in the UK album charts amid partisan claims that it was a milestone in rock. In truth, it was a more patchy affair, containing a preponderance of previously released material which merely underlined that the group was running short of ideas.

An ill-fated attempt to capture the group's story on film wasted much time and revenue, while a poorly received tour of America fractured the Pistols' already strained relationship. In early 1978, Rotten announced that he was leaving the group after a gig in San Francisco. According to manager Malcolm McLaren, he was fired. McLaren, meanwhile, was intent on taking the group to Brazil in order that they could be filmed playing with the train robber Ronnie Biggs. Vicious, incapacitated by heroin addiction, could not make the trip, but Jones and Cook were happy to indulge in the publicity stunt. McLaren mischievously promoted Biggs as the group's new lead singer and another controversial single emerged: "Cosh The Driver". It was later retitled "No One Is Innocent (A Punk Prayer)' and issued as a double a-side with Vicious" somehow charming rendition of the Frank Sinatra standard, "My Way'. McLaren's movie was finally completed by director Julien Temple under the title The Great Rock 'n' Roll Swindle. A self-conscious rewriting of history, it callously wrote Matlock out of the script and saw the unavailable Rotten relegated to old footage. While the film was being completed, the Pistols" disintegration was completed. Vicious, now the centre of the group, recorded a lame version of Eddie Cochran's "C'mon Everybody" before returning to New York. On 12 October 1978, his girlfriend Nancy Spungen was found stabbed in his hotel room and Vicious was charged with murder. While released on bail, he suffered a fatal overdose of heroin and died peacefully in his sleep on the morning of 2 February 1979.

Virgin Records continued to issue the desultory fragments of Pistols work that they had on catalogue, including the appropriately titled compilation Flogging A Dead Horse. The group's impact as the grand symbol of UK punk rock has ensured their longevity. The unholy saga appropriately ended in the High Court a decade later in 1986 when Rotten and his fellow ex-Pistols won substantial damages against their former manager.

After years of rumour and sigh it was confirmed that the original band would re-form for one lucrative tour in 1996. The press conference to launch their rebirth was at the 100 Club in London. The usual abuse was dished out, giving rise to the fact that nothing has changed except the lines on their faces and rising hairlines - they added that they thought Green Day and Oasis were too "poppy". The tour was awaited with eagerness as this really was a case of putting their mouths where the money is. Their debut at Finsbury Park was nostalgic rather than groundbreaking. Rotten was still obnoxious and they still hated Matlock. What they did prove, however, was that they can still play and sweat, just like the hundreds of pretenders that have followed in their wake over the past two decades.

Four years later Julien Temple's film documentary The Filth And The Fury was released to excellent reviews. Featuring a mixture of archive concert footage, contemporary news reports and recent interviews with surviving members of the band, the documentary was everything The Great Rock 'n' Roll Swindle should have been and more. The original members reunited for a second time in the summer of 2002 as a riposte to Queen Elizabeth's Golden Jubilee celebrations. "God Save The Queen" was re-released in May, but only managed to reach number 15 in the UK singles chart. They reunited again in August 2003 for a brief USA tour, which included a casino ballroom in Las Vegas. They were inducted into the Rock And Roll Hall Of Fame in March 2006 but refused to turn up to the ceremony.